9/10/2023 0 Comments Hdr projects 5 downloadIt's best to use a Tripod (or random bit of scenery to rest the camera on) to shoot the bracketed images, but if they are shot close together (many cameras have bracketing options that wull shoot the images in a short burst, or even HDR options where you can choose to keep the original images), ideally with stabilisation in-lens, in-body or both, then you can still get good results. One issue is making it look natural, although some people like more unnatural looks, that's for the photographer and audience to debate (personally I'm not a fan of overblown HDR effects except in rare subjects). It must map that range onto the 8 or 10 bits of brightness your monitor supports (or whatever your printer allows, etc.), but you still see a lot more Dynamic Range from the original scene. The HDR software then chooses to use the bright detail from the first image and the dark detail from another. However by taking 3 (say) 14 stop images separated by 3 stops you get information for 20 stops of brightness (so for the Sunny Window in the dark room you have a shot showing what is outside, but that shot won't show what's inside, it will be mostly black but you have another shot with the interior detail and the window is white). You can have 20 stops of brightness in a scene, so whatever exposure you choose a lot of the detail won't appear (you should get everything on a dull day with 8 stops of DR in the scene though). What the camera's exposure system allows is for you (or it) to choose what brightness level that range is arranged about. Cameras can only capture 12-14 stops of brightness (outside that range you get white at the top end and black at the bottom). "High Dynamic Range" is referring to enabling you to see more of the brightness range in the original scene. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.I wrote this for the previous HDR5 Giveaway, so I'll just update it and put it here in case it's of any use to anyone: SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally.
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